is one of the most prolific Italian writers. Animated by
 an unstoppable expressive need, he paints continuously in the urban space since the first half of the 90s.
 Known worldwide for his activity, mainly on trains, according to the best New York tradition, in 2016 he agreed to take part in an exhibition with a photographic installation then used to create a monographic book on his artistic activity.
 For Vicolo Folletto Art Factories, he proposes a new installation project that focuses on clandestine activity, the true soul of urban art.
 Photographs of works made in the urban space, accompanied by a small selection of preparatory sketches and sketches, used for the creation of the paintings themselves.
 The installation aims to show how urban art, through the documentation relating to its practice, can be brought within the institutional space, without distorting itself, through the sketches of the paintings and through photographs that freeze over time creations otherwise destined to live alone. a few hours or a few days, to underline the imperative of the ephemeral and site specific nature of this type of intervention. 
 
 
 He is one of the most prolific Italian writers. Animated by an unstoppable expressive need, he paints uninterruptedly in the urban space since the first half of the 90s.
 His works, mainly done on trains, accordingly to the best New York tradition, made him known worldwide. In 2016 he accepted to take part in an exhibition with a photographic installation 1 , then used to create a monographic book on his artistic activity.
 For Vicolo Folletto Art Factories, he offers a new installation project that focuses on clandestine activity, the true soul of urban art.
 Photographs of works realized in the urban space, accompanied by a small selection of sketches and preparatory drawings, used to create those paintings. The installation aims to show how urban art, through the documentation related to its practice, can be brought within institutional spaces, without distorting itself, for example through sketches of paintings and through photographs that stop over time such creations, otherwise bound to live only a few hours or very few days. In this way it's emphasized the unavoidable ephemeral and site-specific nature of this kind of interventions.