Nemo as the captain of "Twenty Thousand Leagues Under the Sea", who fought battles against war and the injustices of the world from the depths of the abyss. Nemo as the main character of one of the first Winsor McKay comics, in which the nightmares of this boy are told, who every night lives the incredible adventures of a fantastic kingdom called Slumberland. Nemo as the Latin "nobody" which the Saxon genitive changes to "of nobody".
 Raised in deep Lombardy, between boundless plains and oppressive fog, he began painting on the street and in abandoned places in 2005.
 Immediately demonstrates a marked attention to social issues, especially ecology, with an immediacy and a communicative ruthlessness capable of provoking strong reactions.
 The attention to the context in which it intervenes is not only content; from a technical point of view it is characterized by the ability to mold the figure to the architectural elements and to the observer's point of view. Stylistically, Nemo's research moves between illustration and painting based on the situation in which it acts: refined and narrative where the subject must be the protagonist (as on the Labas facade in Bologna), gestural and brutal in contexts where it is necessary to be ruthless (such as on the Palermo seafront, between garbage and unauthorized building).
 Since 2012 he has participated in the most prestigious international urban art festivals, while in 2014 he begins to operate in extreme situations such as the Zen2 district of Palermo, in Ostia Scalo (the most difficult part of the Roman suburbs) or in the Librino district of Catania, where the the possibility of painting depends on the ability to relate not only with the infrastructures but above all with those who live in the area.
 Non-commissioned actions therefore, to which he alternates institutional projects in critical situations such as prisons.
 And it is this work, little known but very complex, in which painting, action, contents and attitudes come together in a unicum, that Nemo's presents to the public of Vicolo Folletto. 
 
 
 Nemo, as the captain of Twenty Thousand Leagues Under the Seas, who fought battles against war and injustices of the world from the deepest sea. Nemo, as the main character of one of the first comics by Winsor McKay, where he tells the nightmares of that boy, who every night lives the incredible adventures of a fantastic kingdom called Slumberland. Nemo as the Latin “nobody”, that the saxon genitive modifies in “of nobody”.
 Raised in deep Lombardy, between endless lowlands and oppressive fog, he began to paint in the street and in abandoned places in 2005.
 Immediately demonstrates a strong focus on social issues, especially ecology, with an immediacy and a ruthless communication, able to create strong reactions.
 Attention to the context where he intervenes does not concern only the contents; from the technical point of view he is characterized by the ability to shape the figure to the architectural elements and to the point of view of the observer. Stylistically, the research of Nemo's moves between illustration and painting according to the situation in which he acts: refined and narrative where the topic must be protagonist (as on the Labas façade in Bologna), gestural and brutal in contexts where it is necessary to be ruthless (such as on the waterfront of Palermo, between rubbish and illegal building).
 Since 2012 he has participated in the most prestigious international festivals of urban art, while, in 2014, he began to operate
 in extreme situations such as the Zen2 district in Palermo, or Ostia Scalo (the most difficult part of the Roman suburbs) or the Librino district in Catania, where the possibility to paint depends on the ability to relate not only with the infrastructures but especially with people living in the area.
 Non-commissioned actions, to which he alternates institutional projects in critical situations such as prisons.
 And it is this work, little known but very complex, in which painting, action, content and attitudes come together in a unicum , that Nemo's present to the public in Vicolo Folletto.